Glossary of art conservation I

Glossary of art conservation I (1 St)

42,06 € zzgl. 7 % MwSt. (zzgl. Versand) 45,00 € inkl. 7 % MwSt. (zzgl. Versand)
Grundpreis: 42,06 € / 1 St (zzgl. MwSt., zzgl. Versand)

Artikelnummer: 9600769

Verfügbarkeit: 2 - 3 Tage

Gewicht: 0,5200 kg

Beschreibung

Mireia Xarrié Balaam: Glossary of art conservation I - Conservation, materials & techniques, museology.


2005,192 pages, size 16,5 x 24 cm, white matte paper, 135 gr ( 4,76 oz), platifiqued cover bounded 300 gr (10,58 oz). Paperback.


It is a dictionary on concepts pertaining to art conservation, materials & techniques, museology. The author has researched various bibliographical English, French, Spanish, Italian and German sources, has translated all to English and has arranged all the renown experts' definitions in alphabetical order.


AUDIENCE
Glossary of art is a comprehensive information source for art historians, artists, curators, conservators, restorers, art dealers, auctioneers and art collectors.

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Produktdetails

Contents

AB-57, abandoned underdrawing, abrasion, absorbency, acacia, acetate, acetate fiber, adhesive, albumen prints, alcohol, alum, applied optical microscopy, aquatint, araldite, armenian bole, arriccio, asphaltum, azurite, babul, badigeon, barbe, batten, beva, biodeterioration, birch, bone, brasil-wood, butterfly, cadmium yellow, calcium carbonate, canvas, carbon black, carbon prints, casein, cellulose, chestnut, clay, cleaning, cleaning test, cleavage, coating, colletta, colour, colour ground, colour appearance, colour rendition index, conservation, conservator, consolidate,copal, cotton,craquelure,chromatic abstraction,curator, daguerreotype, deacidification, deionised water, demineralised water, dimethylformamide,dowel, earth pigments elm, electromagnetic spectrum, emulsion, enzyme, epoxy resins, fading, ferrous sulfate, fluorescent lamp, ftir, formaldehyde, foxing, fungi, fresco, gall, gamboge, gelatin silver prints, gesso, gilding, glaze, glue, grid, ground, gum arabic, gum lac, gumsandarac, gum tragacanth, iccrom,icom, impasto, indigo, infrared radiation, intonaco, iron-gall ink,ivory black, kermes, lacuna,lake, lanolin, lapis-lazuli ,lignin, linen, lining, linseed oil , liquid chromatography, logwood, marouflage, melinex, methyl cellulose, microscopy, nitrate esters, oak, oil gilding,oil painting, organic materials, organic pigments, oxidation, paint layer, paint layer or protective on the reverse, panel assembly with butt joints, panel assembly with tongue and groove joints,paper, papyrus, pentimento,pigment,plain weave,plank with knots, pochoir, polymer, polymerization, polyvinyl acetate, preventive conservation, primal Ac-33, priming, prussian blue, radiocarbon analysis, raw umber, registrar, reintegration, relative humidity, repaint, reserve,resin, restoration, retouching with glazes, retouching with neutral tones, saturation, scanning electron microscopy, sepia, sepia inks, sgraffito on gold, silica gel, sinopia, stacco technique, stacco a massello,starch, starch paste,strappo,stretcher, strip lining,stronium yellow, support, synthetic pigments,synthetic resins, tangential cut,tannic acid,tear,tempera, thread count, tintype,toluene,toning,trattegio retouching, ultraviolet filter,ultraviolet light, ultraviolet radiation, ultraviolet/visible spectrometry, umber, underpaint, varnish, vinyl resin,warping of panels, water, water oxygenated, watercolour, water gilding, waterproof paper, white ground, wood, wood panel, wrinkling of the paint layer, xeroradiography, xrf, x-ray diffraction, x-radiography.

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